Quotes about Drama

and Euripides, faulty though he may be in the general management of his subject, yet is felt to be the most tragic of the poets.

Every tragedy falls into two parts, — Complication and Unravelling or Denouement.

You're too late. She's my wife. No, she's your widow. His revolver cracked, and I saw the blood spurt from the front of Woodley's waistcoat. He spun round with a scream and fell upon his back, his hideous red face turning suddenly to a dreadful mottled pallor.

A great city is the place to escape the true drama of provincial life, and find solace in fantasy.

God put the physical world under a curse so that the physical horrors we see around us in diseases and calamities would become a vivid picture of how horrible sin is. In other words, physical evil is a parable, a drama, a signpost pointing to the moral outrage of rebellion against God.

I simply find it impossible to believe that the human drama of the centuries, with its quest for meaning and beauty and truth, has no deeper root than molecular mutations.

In other words, physical evil is a parable, a drama, a signpost pointing to the moral outrage of rebellion against God.

Most of us do not live especially holy lives, after all. We spend most of our time sitting in traffic, paying bills, and being irritated with one another. Yet every week we are invited to stop all of that for one hour at least. We are invited to participate in a great drama that has been going on without us for thousands of years, and one that will go on as long as there is a single player left standing.

There's no such thing as an uninteresting life, such a thing is an impossibility. Beneath the dullest exterior, there is a drama, a comedy, a tragedy.

The trade of critic, in literature, music, and the drama, is the most degraded of all trades.

Every revolutionary movement has its peaks of united activity and its valleys of debate and internal confusion. This debate might well have been little more than a healthy internal difference of opinion, but the press loves the sensational and it could not allow the issue to remain within the private domain of the movement. In every drama there has to be an antagonist and a protagonist, and if the antagonist is not there the press will find and build one.

You can choose to see the curse or the gift. And this one choice will determine if your life is a success story or one big soap opera.