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Quotes about Memory

She wants to have her notebooks so that the flimsy framework of events, as she has constructed them in her school notebook, will be provided with walls and become a house she can live in. Because if the tottering structure of her memories collapses like a clumsily pitched tent, all that Tamina will be left with is the present, that invisible point, that nothingness moving slowly toward death.
— Milan Kundera
The brain appears to possess a special area which we might call poetic memory and which records everything that charms or touches us, that makes our lives beautiful.
— Milan Kundera
She refused at first, saying it would make a mockery of their love. She loved him too much to admit that what she thought of as unforgettable could ever be forgotten. Finally, of course, she did as he asked, but without enthusiasm. The notebooks showed it: they had many empty pages, and the entries were fragmentary.
— Milan Kundera
Love begins with a metaphor. Love begins at a point when a woman enters her first word into our poetic memory.
— Milan Kundera
Raised as we are on the mythology of the Old Testament, we might say that an idyll is an image that has remained with us like a memory of Paradise: life in Paradise was not like following a straight line to the unknown; it was not an adventure. It moved in a circle among known objects. Its monotony bred happiness, not boredom.
— Milan Kundera
Her image of it came entirely from what she had heard. Or read. Or received unconsciously from distant ancestors. And yet it lived within her.
— Milan Kundera
The past we remember is devoid of time. Impossible to reexperience a love the way we reread a book or resee a film.
— Milan Kundera
Because everyone applauds him as a nice, very cosmopolitan Scandinavian who's already forgotten all about the place he comes from.
— Milan Kundera
Einmal ist keinmal, says Tomas to himself. What happens but once, says the German adage, might as well not have happened at all.
— Milan Kundera
I catch myself thinking about him in the past tense all the time.
— Milan Kundera
The moment she removed his head from the body, she felt the strange and intoxicating touch of freedom. That anonymity of the body was a suddenly discovered paradise. With an odd delight, she expelled her wounded and too vigilant soul and was transformed into a simple body without past or memory, but all the more eager and receptive. She tenderly caressed Eva's face, while the headless body moved vigorously on top of her.
— Milan Kundera
But her nascent love inflamed her sense of beauty, and she would never forget that music. Whenever she heard it, she would be touched. Everything going on around her at that moment would be haloed by the music and take on its beauty.
— Milan Kundera